My voice is clear, warm, pleasant, well-articulated, and inspires trust in your audience. With over 20 years of experience in the voice-over industry, I can adapt my performance to your project’s unique requirements.

From raw recordings to perfectly synchronized voice-overs, or even lip-sync dubbing, my voice can provide exactly what you need. As a dubbing actress, I truly enjoy bringing your words to life. For me, playing with the voice to embody different characters is not only fascinating and fun — it’s also a skill that can become the heart of your project.

To ensure I meet your expectations, I can provide a personalized demo so you know all your project requirements will be fulfilled.

With more than 20 years in the voice-over industry, I’ve built the versatility to adapt my voice to all kinds of projects.

I began my career as a voice artist and dubbing actress in Madrid, after training at prestigious dubbing and acting schools with renowned professionals such as Salvador Arias and Carlos Infante.

• 1998–2000: Travel documentary narrator for Canal VTV (Vacaciones TV-online)

• 2000–2001: Children’s theatre actress with Trocobio group, Eugenia de Montijo School

• 2000–2008: Documentary dubbing actress for Spanish National TV (TVE) in programs such as Norte-Sur, Metrópolis, La Mandrágora, La noche temática, Documentos TV

• 2002–2006: Voice talent in No solo Música — Tele 5

• 2002–2008: Voice-over for documentaries, reality shows, video games, and cartoons with production houses such as Abaira, Tecnisón, Arait, Synthesis Iberia, Soho Music

• 2005–2008: Commercials and program sponsorships (opening/closing bumpers) for Publiespaña

• 2003–2008: Commercial voice talent for Cadena Cope radio

• 2005–2008: Public address systems for El Corte Inglés

• Since 2018: Offering professional online voice-over services from my home studio for companies, media agencies, and clients worldwide.

Some of the brands I’ve collaborated with include: L’Oréal, Clarins, Nissan, Fujitsu, Fundación Marilles, Topcon Healthcare University, CESCE, Janssen, Siemens, Banco Sabadell, European Commission, CSL Behring, Everywear, Progrentis, Oxford Education, EVO Enterprises, Sonova, Carob, Airbus, IBSA, Waldorf Schools, Biomundo, among others.

• Studiobricks One Plus double-wall booth, guaranteeing 45dB sound insulation

• Neumann TLM 103 high-end microphone, delivering exceptional warmth and clarity

• Universal Audio Apollo Twin interface

• Logic Pro and Pro Tools on Apple Macintosh systems

Combined with my interpretative experience, this setup ensures technical and artistic excellence that doesn’t go unnoticed.

The price includes:

• Audio recording in a professional studio

• Basic audio editing (removal of breaths and noise, no EQ, compression, or effects)

• Corrections of errors, tone, or pace if needed

Retakes are sometimes inevitable, but I minimize them as much as possible.

• If the retake is due to my error (e.g., wrong tone, mispronunciation, overlooking reference material), it’s free of charge.

• If the retake is due to client changes (e.g., script modifications or unclear instructions), a retake fee will apply.

• A full re-recording, if required, will be charged at 60% of the original fee.

Revisions and script changes are available only for projects contracted within the last 30 days.

Yes! You can join the session from anywhere in the world to ensure your expectations are met in real time.

Whether you’re an agency, a production studio, or a direct client working from your office, I can accommodate live sessions via Source Connect, SessionLinkPro, BodalgoCall, Zoom, Google Meet, Cleanfeed, and more.

Once you choose me as the voice for your project, I’ll be available via phone, email, or Skype to adjust any details your project may require.

At the end of the process, every recording is reviewed to ensure the highest quality standards are met.

In today’s context, it has become necessary to include my PASAVE clause:

The client expressly agrees not to use any part of the recording for purposes other than those specified in the agreement. This includes, but is not limited to, creating synthetic or AI-generated voices.

Permission must be obtained to use the material beyond what was agreed. The client expressly agrees not to use recordings to create any type of artificial voice models, now or in the future, on any platform or device.

The client also agrees not to sell voice recordings to third parties without my consent.